MixChecker adds a possibility to add some audio background with adjustable volume. We used this experience and we added modeling of these distortions to MixChecker Pro.īackground noise. We are experts in exact modeling of distortions and saturations, either of speakers or of amps, preamps and other circuits. To distinguish between them, there could be a custom label placed to each button.ĭistortion. You may even assign the same simulated device to several buttons, each with unique settings. The MixChecker buttons have several adjustable parameters. Save your selection to several button sets together with stereo base width and volume level for each button.Ĭustom settings and labels for buttons. Drag the selected simulations in any order to the MixChecker button. No simple impulse responses inside.Ĭreate sets of simulations. All characteristics are newly measured, the processing engine is completely different with lower latency and phase linearity. To see the basics about MixChecker, visit the original MixChecker page.Įverything! Even though the interface has the same elegance and ease of use as the original MixChecker. This page is focused on MixChecker Pro add ons. With tons of new features, the two let you simulate the exact surroundings and devices of your listeners. It can be done quickly and easily with MixChecker or MixChecker Pro. Please contact support for details.Everyone who mixes content for the audience has to make sure that the mixes sound great on every consumer device. ![]() (2) Sibelius / Finale / Dorico notation programs work with Opus, but do not support the full feature set of some Opus/Play Libraries, such as those that use WordBuilder.Please note that while most Sequencers / DAWs are VST 2, VST 3, AU and AAX plug-in format compatible, only those listed in the chart below are officially supported. The chart below outlines the MacOS and Windows 64-bit operating systems and sequencers that are officially supported and fully tested with the latest version of Opus. CPU: Octa-core (eight cores), running at 2.7 GHz (or above).Drive: HDD (7200 rpm, non-energy saving).OS: macOS 10.13 (or later) Windows 10 with ASIO sound drivers.CPU: Quad-core (four cores), running at 2.7 GHz (or above).DECAY TIME: This allows users to shorten the reverb time of the loaded preset.īelow are the minimum and recommended hardware and software specifications for using Opus on Windows and MacOS systems.When selected, a frequency response graphic will appear in the center window. FILTER: This allows users to limit the frequencies sent to the reverb, you can high-pass, low-pass, or both.These can be used to create a surround mix, or to pick a reverb that you like. The true stereo switch on the interface is an indicator, not a switch. ![]() ![]() We encourage users to use the true stereo versions of the impulses. When they are put together you get a true stereo 4 channel snapshot of the space. Typically an impulse is taken with the source on the left side of the stage and the right side of the stage. Each channel L and R is processed with its own unique stereo impulse. So normal stereo reverb, where the input is summed to mono before being processed. Generally, all info related to the reverb selected is displayed in the interface window of SPACES II.
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